Joshua Whitehead

Love after the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction

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**Lambda Literary Award winner**

This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.

Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492.

Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson.

Editor: Joshua Whitehead

Paperback  Published 20 October 2020  224 pages

"These stories are a welcome breath of fresh air in the often hyperindividualist, survivalist subgenre of postapocalyptic fiction, and are essential reading for anyone committed to the possibilities of sf as a means to create new and different futures."Booklist (STARRED REVIEW)

"Many of the stories offer portraits of a dead Earth from which new life springs, and all are ultimately uplifting, hinting at a way forward through the darkness of the present. Drawing on deep wells of history and experience, these powerful stories are sure to impress." —Publishers Weekly

"Each of these smart, stunning, imaginative stories has not only fuelled my imagination but also filled my heart, reminding me how dramatically different it is to experience work written with absolute love. Reading Love after the End is like being handed a glass of fresh water in the middle of the desert." —Alicia Elliott, author of A Mind Spread Out on the Ground

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