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From Rick Morton, the author of the bestselling, critically acclaimed memoir One Hundred Years of Dirt comes a dazzlingly brilliant book about love, trauma and recovery, My Year of Living Vulnerably.
In early 2019, Rick Morton, author of acclaimed, bestselling memoir One Hundred Years of Dirt, was diagnosed with complex post-traumatic stress disorder - which, as he says, is just a fancy way of saying that one of the people who should have loved him the most during childhood didn't.
So, over the course of twelve months, he went on a journey to rediscover love. To get better. Not cured, not fixed. Just, better. This is a book about his journey to betterness, his year of living vulnerably. It's a book about love. What love is, how we see it, what forms it takes, how we practice it in our lives, what it means to us, and how we really, really can't live without it, even if, like Rick for many years, we think we can.
As he says: 'People think they want cars - and they do, to get to jobs and appointments in cities and regions where public transport has failed them. But what gets them into those cars, out of the house, out of bed for God's sake, is love.'
Author: Rick Morton
Paperback Published 2 March 2022 320 pages
'Read this investigation because it will remind you of how optimism and love work together. Read it because your heart has been broken somewhere along the line and you need to know how to mend. Read this book because Rick Morton is the bloke we all need in our life to show us it is going to be okay.' -Readings
'Wryly comic, hard-thought and deeply-felt ... It is a heartbreaking book, but a beguiling and necessary one. And a work far wiser than the modesty of its author would allow.' -The Saturday Paper
'One of the many charms of Morton's seductively clever book is the treasure trove of scientific, philosophic and literary observations, scattered throughout its pages, like beacons ... This is a significant book, to be read, dipped into, put aside and then revisited. Morton writes with grace, enlivened by vivid imagery and spontaneous wit.' -The Canberra Times